5/18/2023 0 Comments New skyscraper in new york![]() Ingels’ design, in fact, displaced an earlier one by Lord Norman Foster. “I don’t know how worried I should be.” Even if the parties come to an agreement, there will be other hazards to navigate: a volatile real estate market, the political melodrama inherent in building on a scene of mass murder, and an often irrational government, embodied by the Port Authority of New York and New Jersey, the lumbering transportation agency that owns the land beneath the Trade Center buildings.įor 14 years, these factors have conspired to keep the redevelopment process lurching along unpredictably, leveling many an architectural ambition. “There’s a lot of drama with the deal right now,” Ingels says the day of the film shoot. Murdoch and Silverstein still have to agree on a long-term lease, which would allow the $4 billion skyscraper to be financed. To realize his design, Ingels has to continually prove its value to a pair of hard-nosed octogenarians: Murdoch and Larry Silverstein, the developer who has controlled much of the World Trade Center rebuilding. Rather than adhere to a single aesthetic, he tailors his ideas to meet client demands-all in service of designs unlike anything seen before. ![]() Ingels playfully calls his firm BIG, and his approach to architecture BIGamy. Now comes the laborious part: showing that he is capable of transforming that captivating story into hard facts on the ground. “At the moment we are working seriously on one of the most daunting buildings in downtown New York,” Ingels acknowledges, “we still haven’t completed a skyscraper.” With Two World Trade Center, Ingels thinks he has imagined a way to create a new kind of high-rise work environment, one that turns a form that is fundamentally vertical and hierarchical into a place for horizontal interaction. Ingels’ largest project to date, a striking pyramidal apartment building under construction along Manhattan’s West Side Highway at 57th Street, is just about one-third the size of Two World Trade Center. But fame can be a deceptive indicator in his profession: An architect’s work, like the light of a star, only reaches the eye after a years-long journey. Such imaginative flights have made Ingels famous-and highly sought-after-at an age considered precocious by architecture standards. For a proposed expansion of Google’s campus in Mountain View, California, Ingels (along with collaborator Thomas Heatherwick) created a wildly elaborate complex of geodesic domes, envisioning a lifestyle of biking, hiking, and coding inside a sunlit glass terrarium. He is currently building a waste-to-energy plant in Copenhagen with a slanted roof that will serve as a recreational ski slope and a smokestack that will puff a symbolic ring of steam each time it emits a ton of carbon dioxide. Often his designs careen in fantastical directions. Ingels is fond of saying that architecture is “the art of turning fiction into fact.” He boasts many talents-as a draftsman, as a salesman, as the charming cultivator of his own winning image-but his greatest asset is a gift for storytelling: an ability to construct a narrative around practical necessities. “The tower should be about the living city.” ![]() “The memorial is about the memorial,” he tells me. Ingels is not preoccupied with that-he wants to make his own history. The ensemble will ring two cascading pools that pay tribute to the roughly 3,000 people who died in the terrorist attacks of September 11, 2001. “Out of many, one.” If completed, the tower will be among the tallest buildings in New York City, and the last of four envisioned in the master plan for the redeveloped World Trade Center. “In a way, it is almost like a physical manifestation of the spirit of America,” he says. From this perspective, Ingels’ design resembles a stack of seven blocks, ascending like a staircase toward One World Trade Center, its monolithic neighbor. Between takes, Ingels points to a void in the densely packed Manhattan skyline, tracing the profile of a skyscraper that only he sees. But Ingels can’t wait to shout the news, quite literally, from the rooftops. ![]() At this moment, Murdoch’s plan to relocate his companies is still one of New York real estate’s biggest secrets. The hyper-eloquent 40-year-old isn’t letting doubt stand in the way of his video introduction, though: He has obsessed over every line and image, telling his director that he wants viewers to swoon. It is still a work in progress, and his primary client-the imperious media magnate Rupert Murdoch-has yet to sign off. The Danish architect is shooting a promotional film about the most important commission of his young career, his design for the skyscraper known as Two World Trade Center. On a misty April day, Bjarke Ingels is standing on the roof of an old brick building, high above a cobblestoned street in Lower Manhattan, the collar of his black coat rakishly popped.
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